| TABLE OF CONTENTS |
| Table of Contents |
vii |
| List of Appendices |
xi |
| Contributors |
xiii |
Preface: An Opening Metaphor
Kenneth Bruscia |
xix |
Introduction:
A History of the Literature on Guided Imagery and Music
Eugenia Pickett |
xxv |
Part One: Overview |
|
1
The Evolution of the Bonny Method of Guided Imagery
and Music (BMGIM)
Marilyn F. Clark
|
5 |
2
The Individual Form of the Bonny Method of Guided
Imagery and Music (BMGIM)
Madelaine Ventre
|
29 |
3
The Boundaries of Guided Imagery and Music and
the Bonny Method
Kenneth E. Bruscia
|
37 |
4
Distinctions Between the Bonny Method of Guided Imagery
and Music (BMGIM) and Other Imagery Techniques
Anthony Meadows
|
63 |
5 The Evolution of Bonny’s Music Programs
Denise E. Grocke
|
85 |
6 The Bonny Music Programs 99
Denise E. Grocke
|
|
Part Two: Applications |
|
7
Guided Imagery and Music with Children and Adolescents
Susan B. Wesley
|
137 |
8 Guided Imagery and Music in Medical
Care
Alison E. Short
|
151 |
9
Guided Imagery and Music in the Treatment of Individuals
with Chronic Illness
Debra S. Burns
|
171 |
10 Psychotherapeutic Applications of
the Bonny Method
Anthony Meadows
|
187 |
Part Three: Orientations |
|
11 A Jungian Orientation to the Bonny
Method
Karlyn Ward
|
207 |
12 A Psychodynamic Orientation to the
Bonny Method
Kenneth E. Bruscia
|
225 |
13 Combining Gestalt Dreamwork and the
Bonny Method
Ginger Clarkson
|
245 |
14
A Spritual Orientation to the Bonny Method: To Walk
the Mustical Path on Practical Feet
Roseanne Kasayka
|
257 |
Part Four: Developments |
|
15
Client Assessment in the Bonny Method Of Guided Imagery
and Music (BMGIM)
Kenneth E. Bruscia
|
273 |
16
Group Music and Imagery Therapy:Emergent Receptive
Techniques in Music Therapy Practice
Lisa Summer
|
297 |
17
Developments in Music Programming For the Bonny Method
Kenneth E. Bruscia
|
307 |
18
Method of Analyzing Music Programs Used in the Bonny
Method
Brian Abrams
|
317 |
Part Five: Theory and Research |
|
19 Transpersonal Dimensions of the Bonny
Method
Brian Abrams
|
339 |
20
A Holographic Field Theory Model of the Bonny Method
of Guided Imagery and Music (BMGIM)
Frances Smith Goldberg
|
359 |
21
A Neuropsychological Theory of Traumatic Imagery
In the Bonny Method of Guided Imagery and Music (BMGIM)
Dag Körlin
|
379 |
22
A Theory of Metaphor in the Bonny Method Of Guided
Imagery and Music (BMGIM)
Gabriella Giordanella Perilli
|
379 |
23
Quantitative Research in Guided Imagery and Music: A
Review
Cathy McKinney
|
449 |
24 Qualitative Research in Guided Imagery
and Music
Denise E. Grocke
|
467 |
Part Six: Professional Issues |
|
25 Ethical Considerations in Guided
Imagery and Music
Nicki S. Cohen
|
483 |
26
The Development of Training in the bonny Method Of
Guided Imagery and Music (BMGIM) From 1975-2000
Kirstie Lewis
|
497 |
27
Supervision Strategies for the Bonny Method Of Guided
Imagery and Music (BMGIM)
Darlene M. Brooks
|
519 |
28 Interantional Advances in the Bonny
Method
Denise E. Grocke (Editor)
|
533 |
List of Appendices |
|
A Code of Ethics:
Association for Music and Imagery
|
549 |
B Music for the Imagination: Play List
Kenneth E. Bruscia |
555 |
C Music Programs for Guided Imagery
and Music
Joanna Booth |
563 |
D Music Programs for Guided Imagery
and Music
James Borling |
567 |
E Music Programs for Guided Imagery
and Music
Kenneth E. Bruscia |
569 |
F Music Programs for Guided Imagery
and Music
Marilyn Clark |
575 |
G Music Programs for Guided Imagery
and Music
Denise E. Grocke |
577 |
H Music Programs for Guided Imagery
and Music
Linda Keiser Mardis |
579 |
I Music Programs for Guided Imagery
and Music
Alison Short |
583 |
J Music Programs for Guided Imagery
and Music
Ruth Skaggs |
585 |
K Music Programs for Guided Imagery
and Music
Sierra Stearns |
589 |
L Music Programs for Guided Imagery
and Music
Lisa Summer and Joseph Summer |
591 |
