| TABLE OF CONTENTS |
| Foreword |
vi |
| Acknowledgements |
viii |
| Figures |
x |
| CD Extracts |
xi |
| Preface |
xii |
Chapter 1: Beginnings: On Music 1
Interlude: Three Major Works of the Western Classical
Repertoire: Introduction to Chapters 2, 7, and 11 |
39 |
Chapter 2: J.S. Bach,
Mass in B Minor BWV 232:
The Contrapuntal Musical Relationship
|
43 |
Chapter 3: Living-Playing: A Group
Case Study
|
55 |
Chapter 4: Tone, Form, and Architecture
|
69 |
| Chapter 5: Clinical Listening |
87 |
| Chapter
6: Case Study –Michael:
Music and Loss |
101 |
Chapter 7: Beethoven, String Quartet
in A minor, Op. 132:
Creativity, Music, and Illness |
117 |
| Chapter 8: Analysis and Assessment |
129 |
| Chapter 9: Musical Form and Clinical
Form |
147 |
| Chapter 10: Atonality: Clinical Intent
and Aesthetic Reality |
159 |
Chapter 11: John Cage, Sonatas and Interludes
for
Prepared Piano: Beauty and Revolution |
175 |
| Chapter 12: When the Music Stops |
187 |
Chapter 13: Moving into the Age of Aquarius:
Aesthetic Music Therapy with a String Quartet |
201 |
| Chapter
14: From a Composer’s
Point of View |
223 |
| Chapter 15: Reflections and New Directions |
233 |
